Everything takes a stopping point at MAP08, the hub. ESPECIALLY in Radio Report, which defines the tone of these first few levels incredibly well for me, as you feel a sink into madness as it vaguely switches between songs in a way you have a hard time noticing and your ears get used to as it loops. The music reflects this, droning at you with repetition, unfitting calmness, and radio-distorted sound. You start with 7 levels that, the more you progress, feel like every enemy is another sponge, another roadblock. If you're playing with the music the stages are named after, Some Drilling Implied is probably the most memorable level in the mapset. 00:00 Intro 00:10 Intro 00:20 Intro KZdown's auto-generated captions can go to hell :) Link to the wad: Жарияланды Жыл бұрын I’d suggest you give them a look, but you come to me for Doom reviews, not music recommendations, so let’s get to it. The series also features some of the most memorable and quirky level titles you’ll see in Doom, which are all derived from songs and albums by the band Guided by Voices.
BTSX is known for its thoroughly overhauled texture set, distinctive palette, and by-design compatibility with vanilla Doom II, which makes some of the things they accomplish on screen even more impressive than they appear at first glance. Seriously, it’s like a who’s who of the community. The Back to Saturn X project was founded and is still led by Sarah Mancuso, also known as Esselfortium, who recruited some of the biggest names in Doom mapping to her cause. This first entry in a planned trilogy was released in 2012 to very positive community reception, and this year it was made available as an official add-on for Bethesda’s Doom Classic Unity port. Today’s episode will be dedicated to Back to Saturn X Episode 1: Get Out Of My Stations. Welcome to Dean of Doom, the show where we give grades to classic and contemporary Doom wads.
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